Tuesday 6 May 2014

More from Russell Blake about literacy and reading

http://russellblake.com/the-decline-of-reeding/#comment-10746

As authors, many in my blog audience tend to focus on mundane issues like how to sell books or how to write good ones. Natural fodder given our choice of vocation, or avocation, as the case may be.
Rarely do I see commentary on how the inexorable decline in popular literacy affects society as a whole – most of the time my blog, and the vast majority of others, focus on commercial, marketing, or craft issues rather than more macro ones addressing literacy. While I can appreciate that burning questions like how to improve one’s chances of selling more books are popular with authors, I’ll invite everyone to consider the ramifications of a population that is increasingly illiterate, and which communicates in text message bursts and abbreviations instead of in English as I know it (although I’ll freely admit I see the same thing with Spanish here in Mexico – there’s an entire generation for whom spelling and whole words are unknown; a casualty of texting and tweeting).

America prides itself on being a classless society – that’s the essence of the American dream, after all, poor boy makes good and builds himself an empire, or at least a decent home with a nuclear family replete with leased cars and mountains of credit card debt. But that classlessness is an illusion (probably has always been, when one considers the history of the land, wherein the more successful merchants and financiers became moguls and industrialists, but that’s beside the point) as a growing chasm separates the haves from the have-nots. And it’s not strictly financial, although that is certainly where the divide is most easily observed. It’s a divide in basic literacy. In our comfort with the language, and being able to read and write well enough to convey ideas more complex than “let’s eat” or “that feels good.”

I recently reread a number of pulp novels from the sixties and seventies (with an occasional eighties and nineties thrown in for fun) – not literary fiction by any means, just thrillers the likes of which I grew up reading. What immediately struck me is how erudite the books were compared to modern fare. They were written at a much higher grade level than current popular fiction, because, bluntly, the average person was more literate, and the assumption was that folks wanted a little intellectual stimulation with their car chases and explosions – that words with more than a couple of syllables could be salted through a tome without fearing a slew of one star reviews written in Pidgin English bemoaning that the author was trying too hard or must have once seen a thesaurus.

It seems to be that somewhere over the last 20 or 30 years the level of remedial literacy possessed by the average person has declined to a state where most are comfortable reading at a level I associate with Nancy Drew or the Hardy Boys, which is to say at an adolescent level, at best. The average literacy has slid, declined to a point where many readers have no idea what the difference between their, they’re or there is, much less the difference between shuddered and shuttered or breaches and breeches.

Why does that matter? Because as a society loses its basic grasp of literacy, the ability to impart important concepts, its very ability to reason, is lost. Ignorance of one’s mother tongue, much less other tongues, is a terrible thing, and isn’t to be celebrated. It creates a class-based system as surely as share cropping or indentured servitude does. The elite go to the best schools, are literate and capable of grasping and expressing complex ideas (either in writing or through oration), whereas the rank and file are relegated to simple-minded communications, short attention spans, and a sense of apathy that an inability to understand, much less participate in, the discussion, banishes them to. Illiteracy is exclusionary. It is a huge step backwards, to where the only ones who can read are the cognoscenti: academics, priests, and the ruling class.

If you read the Federalist Papers, or anything by the founding fathers, these were people with tremendous powers of not only persuasion, but an incredible facility with and grasp of the importance of language. Literacy was prized as the force that could move you from bondage to freedom, be it racial inequality, or social. Go watch some Youtube clips of MLK or Malcolm X if you want to see erudite arguments for social change from the sixties from men who understood the importance of the effective use of language.

I have to think that the dumbing down of the population serves no good purpose, and is divisive as any racism or bigotry. A population that can’t read at above a second grade level likely can’t reason at more than a first or second grade level, which leaves it entirely unable to grapple with the important issues of its time. It can’t inform itself because it doesn’t or can’t read – any idea beyond that second grade level is lost on it as it tunes out, preferring something more accessible, more facile to grasp. The internet certainly doesn’t help, given that it encourages the assimilation of information in small chunks – only the most cursory treatments. Television doesn’t help, either. The problem being that nuance, that complete and meaningful answers to important questions, explorations of ethical or moral of philosophical or social issues generally require more than whatever can comfortably be contained in a paragraph or two, or the equivalent of a sixty second sound bite, or a text that reads something like, “OMG, he’s so ttly fine, LOL. C U Soon!”

So we wind up with a pool of voters who don’t understand the issues they are deciding, don’t understand basic logical reasoning, don’t understand much of anything – a pool that requires their menus to be presented in pictures, their cash registers to be labeled with icons, their dialogue to be whatever can be contained in a Dr. Seuss-level discussion. That results in an erosion of society over time, as it makes it far easier for dogma to be substituted for reason, and authoritarianism to serve in the place of rational persuasion. It’s a recipe for inequality and fascism, for injustice, for the exploitation of the many for the direct benefit of the few. It creates rulers, who have knowledge and all that goes with it, and the ruled, who are largely ignorant.

I find this trend particularly appalling as a writer, because as far as I’m concerned there’s nothing more powerful than language. It can convince, scold, motivate, embarrass, enrichen, impoverish. It can cause parents to cheerfully send their children to war, to bomb innocents out of existence in order to free them, to force our next generations to foot the bill for our wastefulness by arguing we can spend our way out of debt. Language defines our perception of reality, and he who can most skillfully use language can convince the masses his way is best. It can also excuse the most horrendous of acts through rhetorical sleight of hand, where stealing becomes liberating, where killing innocents becomes collateral damage, where cheating a nation out of its financial legacy becomes equality or redistribution of wealth. Words, and our ability to use them, define how we think about things.
The less comfort we have with words, the less command we have of them, the less we can think in a meaningful manner. We lack the terms, the basic vocabulary, with which to frame the narrative or debate. We can’t reason, use logic, because we don’t understand its basic concepts and rules. We don’t understand what argument from authority or post hoc reasoning or any of the other logical fallacies are because we don’t understand the concepts or the words used to define them, so we make poor decisions or are easily deceived. Again and again. Like a smoker who makes the poor decision to light up a cigarette 20 or 30 times a day, and who ultimately winds up with respiratory problems or worse, we as a society make poor decisions on a daily basis that result in an unhealthy host, a diseased culture riddled with morbidity.

Where am I going with this?

I dislike the trend in popular fiction towards dumbing down. I understand the trend. We want to sell, and if what sells are monosyllabic screeds with the complexity of a comic, then that’s what we’ll write. But one has to ask whether there’s not a better way. A way to raise the bar some, to not pander to the lowest common denominator, and still sell well?

As custodians of the written word, of language, do we want to be the equivalent of pop songs that come and go in popularity every week, or shoot for something more substantial? Is it possible to be relevant and entertaining and popular without being slack-jawed and mouth-breathing?

Look, I write action thrillers and mysteries. I’ll be doing a foray into romance soon. So I’m not saying we should all be aspiring to be Harper Lee, or be trying to write the next Lord of the Flies. I get that we need to balance popular taste with our creativity, and produce products people want to buy. What I’m saying is that, given that the majority of the nation either doesn’t or can’t read, are we not better served trying to raise the bar a little in our offerings for those that still can?

I’m not sure I have a point here. Just more of my ramblings. But as I said, I was struck by how intelligently so many of the books from forty and fifty years ago were written – popular books, too – compared to what’s passes for pop fiction these days.

Call me a curmudgeony old man, I suppose. (Shakes fist. “You whippersnappers have no idea what it was like! The end is nigh!”) And so on. I’m sure I’m just railing against that which I can’t change. All I can do is continue to try to write well, and hope that my audience grows, however that happens.
Hrmph. Humbug.

Now go buy some of my crap. Please. You could do worse than with JET – Ops Files

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NOTE: All of the comments [pre 5 5 14] were wiped out on this blog due to a server change issue by the hosting company. Sorry, and if you’re so inclined, post ‘em again.
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29 4 14 - Post by Douglas on awriterofhistory web site

Mary Tod - Author of Unravelled - http://awriterofhistory.com/

Douglas and I met through A Writer of History. If I recall, he had read one of my guest posts on another blog [TIPM] and, as luck would have it, ‘clicked on through’ to me. Our interactions via the comments feature ultimately lead to interactions via email – I value his encouragement and support. When he volunteered for a reader interview, I knew his responses would be thoughtful and interesting. So take it away, Douglas.


Tell us a little about yourself.  

I am a three score years and ten male still in a good marriage longer than a life sentence. Grateful to be born safe when bombs still dropping in London. Came to a 44 year old mother as a surprise, or given older brothers, not the daughter she wanted.


I moved around the UK to live and work ending up in lovely Royal Leamington Spa Warwickshire. A figures engineer by training so I have read and made up quite a lot of futuristic fiction.


Sadly as a child I cannot recall being read to or many books at home. When I started school other children seemed favoured by teachers as they could read, so there appeared some advantage in doing so as well. Teen years progressed from historic fiction in Biggles, Sherlock Holmes and Dennis Wheatley on to straight thrillers by Alastair Maclean and Ian Fleming, with off putting reading of Dickens and Shakespeare for school certificates.


Interests – thinking and dreaming, people watching, trains, boats and planes, social, economic and war history, computing, taking snaps, health and mental illness and walking. Reading, one of life’s great pleasures, uses up rest of my waking hours. Life highlights have been crewing in 10,000 miles of ocean sailing, piloting a plane, being a delighted passenger with my wife on Concorde, driving a couple of big steam engines and doing the Tour de Mont Blanc walk.


Please tell us about your reading habits and preferences.  

100+ books a year – five or six books on the go at any one time picking up any one depending on mood or where I have left them in the house – unless I have been hooked into a page turner. Also now, where I have left a pair of spectacles. Most reading takes place late, running past midnight into early morning.


Prefer books under 100,000 words each. Up to 2010 for previous 40 years I read mostly non fiction, four out of every five books, including biographies being works of fiction about how people wanted to be known. Reading has changed over last four years to one book out of five being non fiction but this year two books in a drift back to non fiction. I have a Kindle and can read on PC and iPad, but I do not like electronic reading. If I read a book electronically, it will have been a page turner and/or a book I was prepared to pay up to £5 / $8 for as an e book but not £10/ $17 as paperback. My ideal is a large print hard cover book.


My youngest son gave me a copy of Lee Child’s Affair in 2011 and said I would get hooked. I have read all Lee Child’s books finishing with in my view the best , his first book Killing Floor. He said he was angry when he wrote Killing Floor so he needs to get angry again. I am still trying to work out why he hooks me in having tried many of his peers with little success.


Fiction reading is mostly adventure and thrillers covering the background history in my lifetime and my parents lifetime, so anything going back pre 1900 is less interesting.


How do you decide which books to buy? What influences your purchases?    

I try to get a good idea about a book before I borrow, divert from my wife’s reading pile, or buy. I often buy books originally loaned from my public library as I did for a lovely anthology – A Little Aloud , also Garden of Evening Mists by Tan Twan Eng. I apply my five “E” tests to books:


Engrossing and interesting – being hooked in.
Enjoyment – warm feelings about a particular book.
Entertainment – the chuckle and laughter factor.
Emotional – one’s feelings and personal intimate memories.
Educational – learning about a subject for the first time or in more detail.


Ease of reading – I read fiction for pleasure, so books with dull stories or poor structure are discarded. I will work at a densely written book if content is good, for example: Zoo Time by Howard Jacobson. I have a preference for a good pace but do acknowledge history can be a dry and slow subject. There are far too many good fiction and non fiction books out there to waste reading time.

Price is a factor as I am mean on the amount I am prepared to pay for fiction because I wish to read a lot. 100 new books a year at £10 / $17 or more each is too much. Generally I read and pass on fiction. Amazon used books for a few pence plus postage provides a source for most books I buy. On non fiction I am prepared to pay up to £20 /$34 for new or used books as non fiction books will usually stay on my shelves and/or clutter up our home.


I visit charity shops and lookout for a great cover, an author’s name which rings a bell or good attractive synopsis hooking me in on a back cover or frontispiece. Some new authors I have found this way include Katherine WebbUnseen and Half a Forgotten Song. The latter contains one of my all time jaw dropping scenes. Alastair CampbellAll in the Mind and Daniel Mason - The Piano Tuner.


I would like to support independent bookshops more, but pricing is an issue and I buy few new books. I purchase new non fiction books from them even if I can buy more cheaply on Amazon.


What do you like about historical fiction? What don’t you like?

I like books with a strong technical background of politics or history. I think this is because I am a non fiction reader at heart. I am not too enamoured with historical fiction pre 1900 which seems too remote. If a good story I would prefer a modern setting. I read Ken Follet’s Pillars of the Earth because of the background about Cathedral building but found his book far too long.


I think I should try to read more classic historic fiction as when I look at 100 best books of all time lists I struggle to find books I have read. However, my inclination is weak and not improved by a web site last week which gave low star rankings to and witty comments about most of the usual 100 best books.


What types of historical fiction do you prefer?    

Robert Harris, (25th on Mary’s 2013 survey ) is a favourite … books about Cicero and the politics of Rome rang true of recent UK politics … he even made Pompeii a great read, even though I knew the volcano would erupt. The background of aqueduct systems proved very interesting. I find his recent historical fiction settings are best. In Fatherland and Archangel he has written a different outcome to historical events.


I have a number of Ian McEwan, Julian Barnes and Sebastian Faulks books on my shelves – some good – some great – some awful. Jeffrey Archer is a good story teller. I liked his book on Mallory on Everest and his own Prison Diaries.


Do you have historical fiction books or authors you would recommend to other readers? Can you tell us why?   

My four and five star recommendations during the last year in rank order below show how historical fiction is a strong preference for me and meets my “E” factors – sadly all have war as the historical background. However, I still prefer to read about war in non fiction.

Garden of Evening MistsTan Twan Eng – WW2 Never ForgetAngela Petch WW2 Gift of RainTan Twan Eng WW2 UnravelledM K Tod WW1 and 2 Empire of the SunJ G Ballard WW2


The self published books at 2 and 4 stand up well against the others. These front runners are out of a wider fiction field of general fiction by Morpurgo, McGregor, Holt, Hall, Cain, Campbell, Jacobson, Roteman, Baldassi, Kureishi, Shan, Silva, Dyer, Lawrenson and Moggach and historic fiction by Webb, Deighton, Wilson, Bragg, Cornwell, Follett, Goddard, McEwan and many others.
Personal lifetime historical fiction book highlights ranked by period

Piano TunerDaniel Mason 1880s War of the WorldsH G Wells when published futuristic, now to me historical fiction c1910 Arthur and GeorgeJulian Barnes c1910 The English PatientMichael Ondaatje WW2 The ReaderProf Bernhard Schlink WW2
A Robert Harris book WW2 – a hard choice which one,
A Thousand Splendid SonsKhaled Hosseini late 1970s and 1980s The SettRanulph Fiennes 1980s

All the above include memorable scenes and continue to give me warm feelings and most I will read again.


In today’s world, there are so many opportunities to talk and learn about books – blogs, Twitter, Facebook, Goodreads, book clubs – can you tell us about your experiences, where you go to talk or learn about books, why you enjoy discussions about books?   

I am a dinosaur as far as Twitter and Facebook are concerned. Goodreads seem to me to be too female dominated. I limit my reading to reviews in the national press and on Amazon and I ask friends what they are reading and for their best book reads. The answers are not always successful as reading tastes are very personal and some just follow fashion and the crowd. Some of my best reads have been accidental. The national press in the UK are promoting some new books very cheaply; also supermarkets virtually give away new popular books. I have purchased with mixed results. The Book Lovers’ Companion reviews over 250 books and many look to be worth reading. The extracts from what the critics said are often amusing. I find face to face book club type discussions a little false often being about reader’s own egos.


What advice do you have for writers of historical fiction?

As a reader I do look for success in balancing the educational historical factual background with the writer’s story. I prefer historical facts to be clearly stated and as far as possible verified and correct, or indicated as supposition or fantasy variation written for the story. Although as a non fiction reader I am happy to have chunks of history and fact in solid text I am sure creative writing classes will preach ‘show rather than tell’ with more dialogue. In my recent reads list above the authors have balanced the history facts and their stories very well in all the books particularly those based on war with Japan where cultural differences came much more into play and also historic Japanese and Chinese relationships. In Len Deighton’s Winter I thought the excellent WW1 and WW2 history from the German perspective overshadowed the fiction story lines.


Is there anything else about reading historical fiction that you’d like to comment on?   

Read a wide range of authors and genres in library books to provide context to historical fiction. Do not be disappointed if you cannot get on with a particular author. I do not like Hilary Mantel’s books but clearly the literary establishment does. Try some self published books. Go around the on line self publisher book shops.

Try and review on Amazon all books you start and finish because the thought process does often draw out and clarify why you liked or disliked a book and informs then what you might read in the future. I always give a review as soon as I start a book and another on completion if I get that far.

Many thanks, Douglas. I particularly like your five Es test for books as well as your suggestion for readers to review the books they read. Reviews are a real gift to writers. And you’ve given us some great recommendations to consider – I can see some overlap in our reading preferences!